Related Paintings of unknow artist :. | Painting by Dominicus van der Smissen | Joachim Murat avec le collier de l'Ordre des Deux-Siciles | Christ and the woman of samaria | Persepolis iran | All travel wonder Cooks term stayed was describing in fortjusande bilder,akvareller ors pennteckningar |
Related Artists:
axel gustaf hertzberg
1832-1878 Axel Gustaf Hertzberg född 27 augusti 1832 i Jämtland, död 2 september 1878 i Dusseldorf , Tyskland var en svensk bildkonstnär. Hertzberg ägnade sig först åt porträtteckning och litografi men övergick senare till oljemåleri. Han studerade vid konstakademien i Stockholm 1849-1860. Han gjorde en resa till Finland där han stannade två år. Därefter studerade han konst i Paris, och slutligen Dusseldorf. Hertzberg blev 1867 agre vid konstakdemien i Stockholm.
William Turner of Oxford
British, 1789-1862 He probably received his earliest training from William Delamotte, in Oxford. In 1804 he went to London and became a pupil of John Varley, possibly being formally apprenticed. He first exhibited at the Royal Academy in 1807; in January 1808 he was elected an associate of the Society of Painters in Water-Colours, and in November of that year became its youngest full member. He exhibited there annually from 1808 until his death, sending 455 works in all. His passionate, technically complex youthful work was highly acclaimed, yet its promise remained unfulfilled; around 1811 he returned to Oxfordshire and soon established himself as a drawing-master in Oxford.
Jacopo Tintoretto
1518-1594 Italian painter. His father was a silk dyer (tintore); hence the nickname Tintoretto ("Little Dyer"). His early influences include Michelangelo and Titian. In Christ and the Adulteress (c. 1545) figures are set in vast spaces in fanciful perspectives, in distinctly Mannerist style. In 1548 he became the centre of attention of artists and literary men in Venice with his St. Mark Freeing the Slave, so rich in structural elements of post-Michelangelo Roman art that it is surprising to learn that he had never visited Rome. By 1555 he was a famous and sought-after painter, with a style marked by quickness of execution, great vivacity of colour, a predilection for variegated perspective, and a dynamic conception of space. In his most important undertaking, the decoration of Venice's Scuola Grande di San Rocco (1564 ?C 88), he exhibited his passionate style and profound religious faith. His technique and vision were wholly personal and constantly evolving.